納尼亞傳奇(1-7)(套裝共7冊)(中英雙語典藏版)

。每讀兩頁原著，最多查一個生詞 。有很多證據表明，你越是花時間在所謂分析語法、刻意記憶、摘抄總結上，語言習得的效率會越低。如果你真的很喜歡語法、單詞、句式，那麼你遇詞必查也可以，只要不影響流暢的閱讀體驗和速度，怎樣都可以！ 。如果你選擇的書符合“i+1”原則，那麼按理說基本不翻詞典你也能大致理解故事的內容。如果說一頁有大量生詞，那麼說明難度過高、應當降級。讀閒書、讀閒書，以前你是怎麼偷讀漫畫、偷讀小說的，那麼這裏也一樣 。此外，千萬不要選擇雙語讀本——有研究顯示，在母語輔助的任何情境下，幾乎任何閱讀、聆聽的習得效率都會被降低到接近於零 。初入門者需要首先在大量有趣的故事閱讀裏逐漸增進詞彙、句法、語法的能力，而讀了十來本原著的人，就應當已經有上外網擇書的能力和自由了 。評論區可謂是書籍的試金石。往往通過閱讀頂部的幾條評論，你就能大致判斷這本書的質量和類型 。如果你可以較爲輕鬆地讀懂《納尼亞傳奇：獅子·女巫·魔衣櫥》，那麼英語世界中廣大的有趣書籍，對你而言已經觸手可及了 。書要自己選，而可以隨心選書閱讀的自由，是建立在很多很多故事書的閱讀基礎之上的

我竟然讀完了！！從來沒有讀過一整系列的英文作品，納尼亞傳奇真的帶給我很多震撼。喜歡閱讀外國兒童文學的原因在於，詞彙、句式容易理解（而且我發現自己在閱讀過程中能越讀越快），且思想獨特，天馬行空，這和中國兒童文學不太一樣，兩者各具特色。讀完，覺得譯者雖然也做了很大努力，但要真正達到心靈爲之震撼的程度，還是要回歸英文原版。 在此之前，沒有想到宗教的力量竟會如此之大，尤其是以這種形式表達出來，時常讓人分不清亦真亦假，並不自覺地相信、貼近。每個大人都曾是孩子，大家對兒童文學的喜愛是一脈相承的。兒童文學的寫作，不能，也不應該，把孩子當成理解能力低下的讀者，如果我們認同有普世價值的存在，作爲精神上的獨立個體的兒童，自然會對優秀的文學作品給出自己的理解。 驚歎於作者C.S.Lewis富有創造性的思想，從此，納尼亞的世界，阿斯蘭的世界，都將被我銘記在心，在夢裏，或是在哪一天發呆走神的時候，或是真的有那麼一天，去走走，看看。

Publication Order The books were originally published in this order: The Lion, the Witch and the Wardrobe (1950) Prince Caspian: The Return to Narnia (1951) The Voyage of the Dawn Treader (1952) The Silver Chair (1953) The Horse and His Boy (1954) The Magician’s Nephew (1955) The Last Battle (1956) Chronological Order Sometime after the death of C. S. Lewis, British editions of the books began appearing that were numbered according to the order the stories take place: 本部順序 The Magician’s Nephew The Lion, the Witch and the Wardrobe The Horse and His Boy Prince Caspian: The Return to Narnia The Voyage of the Dawn Treader The Silver Chair The Last Battle

書的質量一般，有一些錯誤，比如happy寫成了‘appy , 很多h都變成了‘。另外，很多off都寫成了of

Spending one month I have finished reading Narnia, a 7 series novel created by C.S.Lewis. I'm now feel sad both because I have been watching Narnia form Her be created to be perished, and The characteres all dead except Susan in the story. And I'm fall in love with Aslan, though I have known that Aslan is in a sense equals Jesus.

2024年9月7日 星期六 祝福早安 天氣晴朗 氣溫24℃《納尼亞傳奇》 C·S·劉易斯可以稱得上是一代宗師，被譽爲“最偉大的牛津人”。他博學多才，著述頗豐。有人說，“納尼亞”系列是“兒童的聖經”。要想讀懂這套傳奇故事，我們就必須對作者的信仰歷程有所瞭解。 劉易斯的父母都是虔誠的新教徒。劉易斯出生後不久，就在愛爾蘭的教會受洗。由於青少年時期的叛逆，他曾一度遠離了自己的信仰。後來，在《魔戒》的作者、好友托爾金和其他朋友的影響下，32歲時他又回到了上帝的懷抱。迴歸信仰之後，劉易斯創作出了許多不朽的傳世之作。 在“納尼亞”的奇幻世界中，那位無所不在的獅子阿斯蘭正是耶穌的化身。獅子是百獸之王，而聖經啓示錄則稱耶穌爲“猶大支派中的獅子”、“萬王之王”。劉易斯藉着一系列的故事，輕鬆地闡釋了上帝創造宇宙、魔鬼誘使人類犯罪、耶穌爲罪人贖罪捨命、然後從死裏復活等基督教教義。 劉易斯曾廣泛涉獵歐洲的神話，因此“納尼亞”系列經典中也出現了小矮人、半人馬、潘恩、樹精和狼人等形象。大師的想象力異常豐富，不受時空的限制，可謂天馬行空，馳騖八極。套用劉勰的話來說，就是“思接千載，視通萬里”。加上他的詞彙量豐富，時常用詩一般的語言來描繪高山、峽谷、密林、瀑布和清泉等自然景觀。因此，儘管譯者自詡中英文功底都比較深厚，但不時也會感到“詞窮”。有時，爲了一句話、一個詞，我會多方求教於英、美的朋友，真正體會到了譯事之難。 在第一本《魔法師的外甥》中，作者展開想象的翅膀，帶領我們“上天”，親眼目睹了納尼亞被創造的過程：隨着獅子跌宕起伏的歌聲，從土壤中接連冒出了樹木、花草、動物和飛鳥。獅子賜給一部分動物和飛鳥說話的能力，使他們成爲自己的“選民”。 除了“上天”，劉易斯還帶着我們“入地”。在《銀椅子》中，我們跟隨作者來到了黑暗的地下王國，經歷了一場驚心動魄的屬靈爭戰。 “七”在《聖經》中是一個完全的數字，因爲上帝在七天中創造了宇宙萬物。故此，“納尼亞”系列經典一共有七冊書。這個系列中人物衆多，場景變幻莫測。在《“黎明”號的遠航》中，卡斯賓王等在海上的歷險和奇遇扣人心絃；在《馬兒與少年》中，我們又體驗到了異國情調和大漠風光。而《最後的決戰》栩栩如生地描繪了善與惡兩個陣營，惡神塔西和白女巫、綠女巫一樣，都象徵着魔鬼撒旦，它們都逃脫不了失敗與滅亡的命運。 何光滬老師在《從歲首到年終》的序言中說過，同劉易斯交上一年的朋友，會使你變得更好。兩年多來，與劉大師朝夕相處，雖然不敢說自己變得更好了，但在這個過程中的確獲益匪淺，雖苦也甜。 向和平 2013年12月 This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began. In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stif Eton collar every day, and schools were usually nastier than now. But meals were nicer;and as for sweets, I won’t tell you how cheap and good they were,because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer. She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley,a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing. “Hullo,” said Polly. “Hullo,” said the boy. “What’s your name?” “Polly,” said Polly. “What’s yours?” “Digory,” said the boy. “I say, what a funny name!” said Polly. “It isn’t half so funny as Polly,” said Digory. “Yes it is,” said Polly. “No, it isn’t,” said Digory. “At any rate I do wash my face,” said Polly. “Which is what you need to do; especially after—” and then she stopped. She had been going to say “After you’ve been blubbing,” but she thought that wouldn’t be polite. “All right, I have then,” said Digory in a much louder voice, like a boy who was so miserable that he didn’t care who knew he had been crying. “And so would you,” he went on, “if you’d lived all your life in the country and had a pony, and a river at the bottom of the garden,and then been brought to live in a beastly Hole like this.” “London isn’t a Hole,” said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on— “And if your father was away in India—and you had to come and live with an Aunt and an Uncle who’s mad (who would like that?)—and if the reason was that they were looking after your Mother—and if your Mother was ill and was going to—going to—die.” Then his face went the wrong sort of shape as it does if you’re trying to keep back your tears. “I didn’t know. I’m sorry,” said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory’s mind to cheerful subjects, she asked: “Is Mr Ketterley really mad?” “Well, either he’s mad,” said Digory, “or there’s some other mystery.He has a study on the top floor and Aunt Letty says I must never go up there. Well, that looks fishy to begin with. And then there’s another thing. Whenever he tries to say anything to me at meal times—he never even tries to talk to her—she always shuts him up. She says,‘Don’t worry the boy, Andrew’ or ‘I’m sure Digory doesn’t want to hear about that’ or else ‘Now, Digory, wouldn’t you like to go out and play in the garden?’” “What sort of things does he try to say?” “I don’t know. He never gets far enough. But there’s more than that.One night—it was last night in fact—as I was going past the foot of the attic stairs on my way to bed (and I don’t much care for going past them either) I’m sure I heard a yell.” “Perhaps he keeps a mad wife shut up there.” “Yes, I’ve thought of that.” “Or perhaps he’s a coiner.” “Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates.” “How exciting!” said Polly, “I never knew your house was so interesting.” “You may think it interesting,” said Digory. “But you wouldn’t like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew’s step to come creeping along the passage to your room? And he has such awful eyes.” That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day. Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years. That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers’ cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of ginger-beer in there: the old bottles made it look more like a smugglers’ cave. Digory quite liked the cave (she wouldn’t let him see the story) but he was more interested in exploring. “Look here,” he said. “How long does this tunnel go on for? I mean,does it stop where your house ends?” “No,” said Polly. “The walls don’t go out to the roof. It goes on. I don’t know how far.” “Then we could get the length of the whole row of houses.” “So we could,” said Polly. “And oh, I say!” “What?” “We could get into the other houses.” “Yes, and get taken up for burglars! No thanks.” “Don’t be so jolly clever. I was thinking of the house beyond yours.” “What about it?” “Why, it’s the empty one. Daddy says it’s always been empty since we came here.” “I suppose we ought to have a look at it then,” said Digory. He was a good deal more excited than you’d have thought from the way he spoke. For of course he was thinking, just as you would have been, of all the reasons why the house might have been empty so long. So was Polly. Neither of them said the word “haunted” . And both felt that once the thing had been suggested, it would be feeble not to do it. “Shall we go and try it now?” said Digory. “Alright,” said Polly. “Don’t if you’d rather not,” said Digory. “I’m game if you are,” said she. “How are we to know we’re in the next house but one?” They decided they would have to go out into the box-room and walk across it taking steps as long as the steps from one rafter to the next. That would give them an idea of how many rafters went to a room. Then they would allow about four more for the passage between the two attics in Polly’s house, and then the same number for the maid’s bedroom as for the box-room. That would give them the length of the house. When they had done that distance twice they would be at the end of Digory’s house; any door they came to after that would let them into an attic of the empty house. “But I don’t expect it’s really empty at all,” said Digory. “What do you expect?” “I expect someone lives there in secret, only coming in and out at night, with a dark lantern. We shall probably discover a gang of desperate criminals and get a reward. It’s all rot to say a house would be empty all those years unless there was some mystery.” “Daddy thought it must be the drains,” said Polly. “Pooh! Grown-ups are always thinking of uninteresting explanations,”said Digory. Now that they were talking by daylight in the attic instead of by candlelight in the Smugglers’ Cave it seemed much less likely that the empty house would be haunted.

每年都值得再讀一遍，裏面有太多真理的流露，值得細品細挖，就是自己總是容易失去耐心，看到後面有些囫圇吞棗，下次從後往前看試試。感嘆上帝賜給路易斯如此的智慧和想象力！

看了一冊，雖然大家對這套書推崇備至，但這類兒童讀物對於成人而言有一個問題，就是他的世界觀是非黑即白的，沒有中間地帶。成年人喜歡自己去定義對錯是非善惡好壞，而不是被簡單告知誰是好人誰是壞人。另外一些宗教方面的隱喻太過明顯，甚至不能叫做隱喻，成年人讀來，至少對我自己而言，教育的意味有點強。 但這套給小朋友讀我覺得還挺適合的，英文版也基本可以無障礙看下來，雖然偶爾會出現拼寫錯誤，但是可以更加原汁原味接觸西方童話世界裏的角色。 成年人的魔法世界估計只能在堂吉訶德，布爾加科夫，馬爾克斯那裏去尋找了。 不過關於本書作者C.S.劉易斯的一部電影《影子大地》很感人，推薦！

紙本已經看完了，再看一遍電子版